Skip to main content

I Really Don’t Like Proof-Reading And Editing My Own Work!

As you might have guessed from the fact that I write a blog about writing, I really love writing! But you know what I don’t love? PROOFREADING AND EDITING!

When I’m writing, it’s like my brain is on fire; the story is pouring out of me and I’m struggling to get it on the page as fast as I can  imagine it. But then you finish writing, and you have to go through your hastily scribbled mess and fix it up; make sure it’s logically consistent, that the prose flows nicely, and that there are no typos. The whole time I’m doing this, my brain is aching to just get on and write the next story, or to go and see what cake I have in the house; anything but actually concentrate on the thing I’m supposed to be doing.

But proof reading and editing are important, right? Well, yes, I admit that they are important. As I said earlier, my first draft is usually a bit of a mess, and without any proofreading, I wouldn’t feel comfortable letting other people see my work. But I do think that the importance of proofreading and editing can be overstated; particularly if they become a barrier to you publishing your work.

I’m always seeing blogs and articles that say ‘Don’t ever release your work unless you’ve had it looked at by a professional editor!’ and it makes you feel like unless you do this, the world will literally end. But I really don’t have the money to get my work seen by a professional editor. I’ve recently started a business that specialises in language teaching to adults and in the first three months of this year it made a loss of £20.00, so I’m not exactly rolling in cash! As a result, I edit my work as best as I can and I get my wife to read what I write too. I get some valuable advice from her that I do use to make changes to my work, but after that, I’m done! So, sure, my work hasn’t been seen by a professional editor, and I’m sure that there are still issues with the writing, the plot, and a few typos left in the things I write when I publish them, but so what? I know that they’ve had a proofread so that they’re not disastrously bad, so why should I punish myself with six more rounds of proofreading and editing when this is something that I’m supposed to do for FUN? I’m too excited to get my work out into the world and move onto the next story idea to do that! 

At the end of the day, the work I put out is good enough for some people to have got some enjoyment out of it even though it’s not at a standard that some might deem professional, and I’m really happy with that. So, if you want to spend hours painstakingly editing your work, you go for it, if you want to pay a professional editor to look at your work, you go for it, but if you just want to have fun writing something and then put it out in the world without really checking it over, you should go for it too. There’s never just one right way to do things, so do them your way!


My short story collection, Talking to Lobsters, is available here: https://tinyurl.com/talkingtolobsterscollection 

Comments

Popular posts from this blog

Novel or Novella: Does Size Matter?

Throughout 2017 and 2018, I worked on a translation of the French sci-fi book ‘Un Roman dans la planète Mars’ by André Laurie (A Story of the Planet Mars, available to buy on Amazon at this link here ). It is an old novella, first published in 1895, that had long ceased to be within copyright. My hope was that if I could translate a book which was out of copyright, I could then look for a specialist publisher who might be interested in putting it out. Then, I would have a genuine bona-fide published book out in the world, and I thought that this might be enough of a proven portfolio of work to allow me to convince publishers to let me translate their contemporary French works.  However, the response I got from every publisher was exactly the same: ‘The book is too short, so it’s not worth us putting it out by itself. Novellas just don’t sell very well, particularly ones as niche as this.’ I did convince one publisher to let me translate another one of Laurie’s works which could the...

What Stories Mean to Me

This blog almost didn’t get written. I’m currently sat on a seat in Crewe train station. It’s an exceedingly hot August afternoon, and I’ve been given the gift of half an hour to work on my blog; which is a rare and pleasant treat. Yet, I found myself not wanting to write my blog, because I’m in the middle of Gideon The Ninth by Tamsin Muir and its extraordinary! The characters are real, living people, the writing just bursts off the page in a way that I would kill to be able to achieve, and the world that the author has built is so vivid and detailed that it almost feels like you could reach out and touch it. As a result, I was sorely tempted to delve into my bag and fish out the book, to ignore this post and to enjoy half an hour in the company of my new friends. In the end, I was strong, I resisted, and I began writing, because it seemed like the sensible grown-up thing to do. But I love that the scribblings of ink between two flimsy covers can be that powerful, they almost derail...

Why Self-Publishing Is Awesome!

‘I’ve read ninety blog posts on whether I should self-publish or not!’  I hear you cry. OK, I hear you. There are a million blogs that basically conclude with the same thing - that it depends on what your publishing goals are and what kind of thing you’re writing as to whether you should choose traditional publishing or self-publishing. Ah! But I’m not going to tell you that because I think self-publishing is awesome and traditional publishing can get in the bin! I think I’ve mentioned in a previous post that as a trans woman, I’m used to gatekeeping, i.e. every time I go to see a healthcare professional about trans-related healthcare, I have to prove to them that I’m ‘really trans’ as if, you know, I can’t be trusted to decide who I am without an old-white-cis-man holding my hand as I do it. But when I started writing, I still effectively subjected myself to the same process by sending stories off to magazines who would then reject them. What I wanted from these magazines was for ...