Skip to main content

Why Self-Publishing Is Awesome!

‘I’ve read ninety blog posts on whether I should self-publish or not!’  I hear you cry. OK, I hear you. There are a million blogs that basically conclude with the same thing - that it depends on what your publishing goals are and what kind of thing you’re writing as to whether you should choose traditional publishing or self-publishing. Ah! But I’m not going to tell you that because I think self-publishing is awesome and traditional publishing can get in the bin!

I think I’ve mentioned in a previous post that as a trans woman, I’m used to gatekeeping, i.e. every time I go to see a healthcare professional about trans-related healthcare, I have to prove to them that I’m ‘really trans’ as if, you know, I can’t be trusted to decide who I am without an old-white-cis-man holding my hand as I do it.

But when I started writing, I still effectively subjected myself to the same process by sending stories off to magazines who would then reject them.

What I wanted from these magazines was for them to tell me that I was ‘a writer’. But I write all the time. You’re reading my writing right now! I’ve got a book available to buy online! (Talking to Lobsters - available here: Buy from Amazon). So why did I need the approval of others to help me feel more like I was an actual bona fide writer?

Well, some of this comes from capitalism; as a society, we tend not to value something unless you can earn money from it. But why is that? So many talented people in other areas of crafts and the arts are valued for work which doesn’t make any money. If someone you know makes really pretty jewellery, but they go to work in a coffee shop to earn their income, their jewellery is still pretty, and people will still wear it.

Music is quite similar; amateur music is the backbone of a wide variety of genres, and people happily go to see amateur bands play at venues all the time.

When you consider the world of books, however, it’s only very recently that books written by amateurs and indie authors have started to gain a bit more credibility. This is a shame because indie/amateur books have got so much to offer! 

That niche idea that a publisher told you would never sell? The great news is that there will be someone out there who LOVES that idea and loves your work as a result! You might not make a billion pounds out of your book, but that doesn’t mean it won’t be incredibly fulfilling to the people who do read it.

Mainstream traditional publishers have to be able to sell large volumes of books to justify all the promotional, design, and staffing costs associated with a large business. This doesn’t make them bad, per se, but it does mean that they’re quite limited in the types of work that they can support. The rest of us, meanwhile; we can be the ones putting out indie books containing all the great ideas that they would never see potential in, and one in a million of those ideas will go on to become the next worldwide trend that publishers wish they’d spotted.

I think there’s also an argument about skills which is quite important when thinking about self-publishing. Writing a book requires quite a few skills; you’ve got to have a great imagination, you’ve got to be good at communicating your ideas on the page, you’ve got to be good at structuring a piece of work, you’ve got to be empathetic to imagine how characters might behave in certain situations… the list goes on. 

But in a self-published work, the writer might only be good at a few of these things. For example, I don’t think I’m the best wordsmith ever; I just think my writing gets in the way of what I want to say sometimes rather than flowing effortlessly off the page. I do, however, have a pretty good imagination which comes up with all sorts of weird and wonderful things that other writers wouldn’t be able to. It’s getting these ideas out into the world that drives me to write, not whether my prose flows elegantly or not. I think that even though I might not excel at ALL the skills associated with writing, my work still deserves a place out there even if it’s not going to make me rich. There are definitely people out there who have enjoyed my book, too, even though traditional publishers weren’t that impressed by it.

Your work deserves a place out there too! And there is definitely an audience for your work, even if it’s just a small one! So why wait until a severely limited publishing house that is only able to print forty slightly different versions of the same young adult novel each year gives you permission to be a writer? You ARE a writer, so get your work out there!

Comments

Popular posts from this blog

What Stories Mean to Me

This blog almost didn’t get written. I’m currently sat on a seat in Crewe train station. It’s an exceedingly hot August afternoon, and I’ve been given the gift of half an hour to work on my blog; which is a rare and pleasant treat. Yet, I found myself not wanting to write my blog, because I’m in the middle of Gideon The Ninth by Tamsin Muir and its extraordinary! The characters are real, living people, the writing just bursts off the page in a way that I would kill to be able to achieve, and the world that the author has built is so vivid and detailed that it almost feels like you could reach out and touch it. As a result, I was sorely tempted to delve into my bag and fish out the book, to ignore this post and to enjoy half an hour in the company of my new friends. In the end, I was strong, I resisted, and I began writing, because it seemed like the sensible grown-up thing to do. But I love that the scribblings of ink between two flimsy covers can be that powerful, they almost derail

Keeping Your Plot Consistent

So, I know that in a previous blog post I whined about how inconsistent and nonsensical writers’ plots can be in modern fiction, but if writing my first novel has taught me anything, it’s that keeping consistency within your plot is hard! (#hypocrite) Because I’m writing in a science fiction/fantasy world, I’ve got a lot to set up such as a magical system that feels logical and rules of time travel that don’t just feel silly. If I was sensible, I would’ve made notes on all that stuff before I put pen to paper (well, fingers to keys…), but I’m not that sensible!  I also set my story across several decades of the main character’s life, which means I should’ve made notes about which chapter is set in what year. Did I do that either? No I didn’t! The result was that while writing the second half of the book, I started to doubt the things which I thought were true about my story. My brain would get confused about different types of portal conjuring magic, or whether a particular character h

How I Started Writing

Hi readers! Thanks for taking a look at my first blog post! ‘So,’ I hear you cry, ‘how did you write your first book, Talking to Lobsters?’  (Buy it on Amazon here!)    That’s a great question, thanks for asking it! Well, like a lot of new writers, it was the middle of the pandemic, early 2021, and I was pretty stressed. In addition to Corona, I’d only been out as trans for about a year, and I was in the final year of a languages degree with the Open University.  I’ve always written songs to escape this kind stress. The songs I used to write generally had a sort of weird sci-fi vibe about them, and my favourite part of the song writing process had always been writing the lyrics, so, I thought I’d try my hand at short stories.  I didn’t have a lot of time on my hands due to the other stuff going on in my life, so I utilised the bit of free time that everyone has in abundance... time on the loo!  Yeah, this might be too much information, but for months, I took my iPad to the loo with me